Mondays are Hell: Demon Links From Outer Space

Hello, all you happy people,

Now, normally, you would be regaled with me writing about evil, desire, demons, hardships, nightmares, and general angst.  Oh, angst, why do you torment me so?

But no, not today, because my website has been hijacked by demons links.  I tried to exorcise them, but  I got grossed out by the pea-green soup.  I tried to contain them with my Ghostbusters “Proton Pack” but ended up melting the concrete floor of my garage.  I tried to ax murder the links, like in the movie Frailty but they turned all Bill Paxton on me, Hudson from Aliens, game over, man.  So I gave up.

I am on Ciara Knight’s website today, MY IMAGINATION WANTS TO KILL ME!

And I am on Jean Murray’s Author Open MIC website today, ANATOMY OF A FIRST PAGE – RED PURSES AND ROCKY MOUNTAIN ANGST.  She also interviewed me.

I swear, next week, more demon fun.

I Lose My Skin and Glow Indigo with Paranormal Romance Author Joanne Brothwell

I met Joanne Brothwell in person at the RT Book Lovers Conference and it was epic, epic I tell you! We rocked the bar, we rocked the dance floor, and she rocks the writing, rocks the writing right. And she’s from Saskatoon, Saskatchewan, Canada. Can you hear the wind blowing? I live in Colorado. The wind always blows, so you’ll have to let me know.

Joanne is a fellow Crescent Moon Press writer, and her book Stealing Breath just came out. Skinwalkers, love, and Indigo children. Here’s a quick synopsis:

 

Deep in the backwoods of North Dakota, twenty–one-year-old Sarah Ross is searching for a missing child when she is attacked by a glowing–eyed, transparent…creature. Sarah survives, destroying the monster by using mysterious abilities she didn’t even know she had.
Sarah meets the enigmatic Evan and the drama deepens into magic. Pure magic.

 

Joanne agreed to chat with me and it was wonderful! I generally only make writers suffer through 20 minutes of conversation, but with Joanne we went over.

Aaron: My first question: why set the story in North Dakota and not in Saskatchewan? The answer will shock you! Joanne, let us in on the shocking secret!

Joanne: Well, as a writer based in Canada, I wanted to have wider appeal than just Canadians. But to tap into the US market, I was told in no uncertain terms, that Americans do not like to read about anything but America *ducks*. I’m sorry, I can’t say whether that is true or not, but I also wasn’t about to challenge it and find out it was true the hard way. So I wrote about North Dakota, which I believe is the most similar, geographically, to Saskatchewan.

Aaron: So I’m always asking writers when they started writing. We have both extremes. Some started writing fifteen minutes ago, others were scribbling in the womb. With Joanne, her story was different. She started writing when she wrote her father’s memoirs. Joanne, how was that experience?

Joanne: It was both challenging and rewarding. In terms of challenge, I had to wade through hours and hours of audiotapes my father made for me and transcribe them. This was fun at first, listening to his fabulous stories of prairie life in the 50’s, but there were so many words and expressions he used that I was unfamiliar with, I was constantly having to rewind and listen over again.

In terms of the process being rewarding, I now have all of my father’s stories, forever captured in a book that will be enjoyed by me and my family for years to come.

Aaron: How was writing your father’s memoir similar to writing fiction?

Joanne: It was nothing like fiction. It could have been, if I’d attempted to find a theme, highlight a character arc, etc. But that wasn’t the goal. The memoir was transcribed nearly verbatim from his audiotape, because I simply wanted to ensure my father’s memories were preserved.

Aaron: I loved your story about the inspiration for Stealing Breath. Tell us how it all started! How did the Skinwalkers tie in with the Indigo children?

Joanne: One of my friends, an Indigenous Canadian, told me a story of a time she was on a road trip in the US. It was the middle of the night and she was growing too tired to continue driving, so she pulled her car over to the side of the road, somewhere in Arizona near the “four corners” (Arizona, Colorado, New Mexico and Utah). She planned to have a nap, but was startled awake when her car started rocking as if someone was jumping on her car, their mocking laughter outside sending shivers up her back. Quite abruptly it stopped, and when she spoke to some of her Navajo relatives later, they said these tricksters were Skinwalkers, people who practiced “Bad Medicine” and could perform astral-projection!

How does Skinwalkers tie in with Indigo Children? About four years ago I had this story idea of a spiritually-evolved human, based on the New Age concept of the “Indigo Child.” This person would be spiritually closer to God, with psychic abilities and a purple/blue aura. This concept came long before the Skinwalker story. But after the Skinwalker story, I began to think— if Skinwalkers can walk outside of their skin, can they walk inside the skin of another? If yes, can they steal the souls of their victims? If they can steal souls, wouldn’t they want a special purple/blue one that’s closer to God?

Aaron: Saskatoon has a population of around 272,000. Give or a take a hockey player. Saskatoon. That’s just fun to say. All of you people at home, say it out loud to yourselves. You’ll thank me. But Joanne, you didn’t grow up in Saskatoon, but in a small, rural town. Your novel also takes place in a small town. Are you afraid that someone from your burg will come out and say, “Hey Joanne, eh, I read your book. How come I’m not in it?” Or will you accidentally out someone? “The mean guy in the store has a facial scar, and Carl Masterson has the same scar. That Joanne is telling stories out of school.” Any danger of that happening?

Joanne: I have two words for you, Aaron: plausible deniability.
Just kidding! Without a doubt, the setting of the novel is based on my home town. Heck, I even admitted as much to the local newspaper! However, I don’t think anyone would say they see themselves in the book. If they did, it would certainly be news to me.

Aaron: Okay, Joanne, first time you were ever really critiqued – what was your reaction – what happened? Describe, in detail, the blood, sweat and tears.

Joanne: The first time was after I’d paid for a manuscript evaluation. I got it back in the mail and it took a long time to muster up the courage to open it. It was about four pages long, with approximately three sentences highlighting the manuscript strengths. The rest was solid criticism. Too much telling. Too many adjectives and adverbs, improper grammar, no story structure. The negatives went on and on.

I felt positively sick. I can honestly say, I’ve never felt so deflated and mortified in my entire life. It was a good thing the critique was done by someone anonymous, because I’m certain their Inbox would have been filled with hate mail.

I took a short break from writing after that, to decide whether I even wanted to continue. If it wasn’t for the fact that I had a 100,000 word manuscript already written, I may have quit. But I felt like I’d already invested too much time and energy to give it up. So I picked myself up, licked my wounds, and got right back on the saddle.

Aaron: Last question, so we have to make it a good one. Without giving anything away, what is your favorite moment in the book? The moment that sums up the emotional experience of writing the novel and spending three years working on it. March 8, 2009 to March 8, 2012. Hit me, baby, one more time.

Joanne: There is a seduction scene about a quarter of the way in that I’m very proud of, where Sarah and Evan are playing pool in the town bar. It’s a hot and steamy moment that showcases the wonderful euphoric feeling of intense infatuation. In real life, those moments cause a cascade of powerful brain chemicals, the highly addictive ones we all crave. After getting the characters all hot and bothered, I finish the scene off with a big bang. Literally!

That pretty much sums up Stealing Breath:

Infatuation + Supernatural = Flash/Bang.

Check out Joanne’s website
Joanne’s Crescent Moon Press page
Her Facebook fan page
Follow her on twitter
Her books on Kindle

Thank you, Joanne! Your awesomeness transcends all international borders!

I Get Gritty Vigilante with Teen Author Cody May – If Crime is Merciless…Justice Must Be Too

I warn you. This is not my typical interview because Cody May is not your typical writer. I was at the Colorado Teen Lit Fest and I met Cody, hawking his book, and we chatted. He was a senior in high school. Yes, still in high school with a book out there. Dang.

"If crime is merciless, justice must be too."

This is me. Impressed. Pinch me.

But wait. Cody May ain’t writing about pining werewolves or sparkly vampires. He’s writing about reality, crime, violence, pushing to make the world a better place. Hey, sounds like my book! (Must. Not. Self-Promote. During. Interview.) Yes, similar to my book, but Cody has a gritty vigilante in Pentalogy of the Becoming: Book One: Hale. Hard to the core, bro. Cody May is a warrior. As you will see.

So he agreed to an interview and we talked and this is a little of what we talked about.

 

 

Aaron: When I was a teen, I hated calling myself a teen. Even now, I don’t like the word. It’s so dismissive. Young Adult is better. But we need a better word. I know, I’ll make up my own word. Titeens. Like Titans, only, teens. Do you call yourself a teen?

Cody: I hold no shame in being identified as a teen. At least not by the word’s traditional definition. Most modernly, teenagers have become more identified by their reputation, rather than their literal age. Although I have tried hard to transcend the teenager’s common reputation, I am still, by age, a teen. Excuse me, a titeen.

Aaron: I’m a fragile sort, Cody. You did something it took me 20 years of angst to do, namely, get a book out into the world. Were you nervous or afraid when you were writing and trying to get published? If so, how did you overcome the fear?

Cody: The only thing that struck fear into the idea of publishing my work to a mere limitless audience was the worry of judgment. But, to overcome that worry, I had my publisher print the first copies of HALE unedited, so my first buyers from websites will possess the unedited manuscript. Doing so allowed me to understand that readers must look beyond the specs of flaw and appreciate the whole of merit.

Aaron: The life of the modern day titeen is busy, busy, busy. When did you find the time to write the book?

Cody: I didn’t find the time, but if you must ask, I wrote whenever I could. At first I wrote in the gaps of my free-time, but soon I realized I had to want success more than I wanted an A+ in school or a surplus of time to spare.

Aaron: Um, not to bust you, but did you write any of it during school, when you were supposed to be sponging up the wisdom of the ancients?

Cody: Of course!—I write huge chunks of my manuscripts in school every day! Although, I have never been punished for doing so—my teachers have learned to appreciate it.

Aaron: When we talked, you said you were focused on getting published before graduating? Why was that a motivator?

Cody: Two reasons. I knew that if I could write and publish a book as a student in high school, I could do it effortlessly as a paying job. And second, high school is a very contained community, allowing me to draw attention and to network, utilizing all the sources available.

Aaron: It seems like all books these days have a little of the paranormal in them, and I figured you’d have a vampire, fallen angel, telepath, telekinetic, or clairvoyant, but nope, no real paranormal aspects other than a “re-birth.” Did you consciously decide to avoid the paranormal?

Cody: Although fictitious superheroes and vigilantes equipped with paranormal or occult powers can be entertaining, it is hard for viewers and audiences to relate or bond with the characters on a human level. In Pentalogy of the Becoming, I wanted to express the reality of the unreal—what one would actually become if they were to dedicate their lives to fighting crime so radically. Practically any reader of any book in Pentalogy of the Becoming can deeply relate and bond with the characters, replacing the face I describe with their own face.

Aaron: I think your cover art is wicked cool, tell us about the cover art!

Cody: The process of publishing (not to mention the eight months of writing) HALE was a two-year-long strife. And when the time came to finally release it, I wanted its face to be more than a cover. With that in mind, I turned to my girlfriend (Kimberly Waters) and offered the proposition of her creating the cover. With much enthusiasm, she accepted the offer!—and thus, the cover for HALE.

And although it appears to be a simple cover, it holds several meanings, motifs and symbols from within the book itself. Kim applied an outlandish amount of detail in the cover, but as it printed, much of those details were lost. Still, though, the cover is a beautiful and precise expression of the book’s theme, premise and feel.

Aaron: Okay, Hale is book one in a pentalogy – what is your vision for the five books?

Cody: The name says it all: Pentalogy of the Becoming. This five-book, two million-word series is the becoming of an entire world, an entire society I will create throughout the rest of my writing career. The pentalogy is a slope leading to the formation of Everhood—a union of vigilantes fighting against their society’s most infamous criminals and crimes. In the four books leading to the massive conclusion, four major vigilantes are introduced, and together they form the union of Everhood, which will forever be the driving force for my future works.

My hope for this pentalogy is to make way for an entire world that will revolutionize the shape of the ‘superhero.’ People need inspiration, and I firmly believe that inspiration will not come from flying men in spandex. People must be exposed to raw plots and characters no different than themselves, whether they know it or not.

Aaron: If our job as writers is to share our sacred stories with the world, why choose this story to spend your minutes on? It’s a gritty crime thriller with comic book vigilantes without the superpowered ink or the comic. It’s hardcore. What led you to write such a book?

Cody: My job as a writer is to immortalize the thoughts and emotions every human upon this earth faces. Sadly, I am not alone when I say that I have been exposed to the brutality of crime from a young age. And for the first, comprehendible years of my life, I have not been part of a world that values morals more than it does cocaine, murder, greed and thievery. Writing such a reflective, gritty, dark and raw book exposes readers to the truth of our society while simultaneously offering a role to them—a role aside the common people who have allowed our society to fail.

The characters in every book are as human as any other. None have been given God-like powers, and none are equipped with omniscient abilities. They have been scarred, but refuse to be passive in the fight between good and evil—a fight that morality is so helplessly losing.

The four vigilantes I primarily introduce encapsulate all traits of all people: Hale is a merciless being of anger (an emotion we all experience), Dalion is a man of sadness and pain (a sensation we all dread), Muse is a common man of many (we are all the same—flesh and blood), and Red is an idea of objectivity—the knowing that morality can return to its feet. Thus, Everhood is not one, but all.

Pentalogy of the Becoming leaves space for readers to agree or disagree with a hero, to clinch their teeth at the scenes portrayed, and to develop their own perception of morality and how to fight the crime that will continue spreading like a mold if we refuse to stand against.

Cody’s publisher.
Buy Cody’s book on Amazon
Cody’s Facebook fan page

Thank you, Cody! For all you angels and vigilantes out there, let’s make the world a better place today.