My List of Writing Wounds – Powerlessness and Unmanageability Continued – Almost Done with Step Number One

Before we hit it with the step one madness, just a shout out to everyone who was listening to me yesterday on Bookmark Radio.  I’ll post the link once those cool cats at Bookmark Radio post it.  Had a blast though it was harder than I would have thought.

Step 1 – Admitted we were powerless over our art and our creative lives had become unmanageable.

Our main job in the first step is to truly understand how broken we are as people and as writers. Now, some writers aren’t broken. Some writers do all of this naturally and easily and they don’t have the angst I have. I wish I were one of those people but I am SOOOO not. I am damaged goods, people.  Run far away.

Here are some of my wounds:

My Revision Wounds
I was a writer who couldn’t revise. For a writer, not being able to revise is death. But I was always being seduced by the next project. I’m a fickle, slutty writer. A book whore. What I’m working on sucks, but this next book, oh, she’s so pretty, and she’s so exciting and new, that I know she’s going to be THE ONE! The book I’m working on now, that I’ve been working on for three years? Been there, done that. Snoozeville, with no snooze button, just the same old, same old drone.

My Superman Wound
I can do it all! I can do anything! Time, energy, sleep mean nothing to me! I can write three books, attend two critique groups, and speak at that writers conference. No problem. I can sleep when I’m dead. Let me give you a hint. I said in my last blog you might lose some sleep, but losing sleep and not sleeping are very different, the difference between a little crazy and being locked up and getting electro-shock therapy.

I lacked focus, and yes, in art, focus is a critical thing. Sometimes when I’m stuck, I think, if I were to die in three months, which book would I want to have written? And that helps.

My Envy Wound
Oh, how I hated Christopher Paolini, author of the Eragon books. I loathed him. I made fun of him. I burned his image in effigy. That little bastard. I had written fantasy stories when I was seventeen and no one was making my books into movies. I thought he had just gotten lucky, but no, Mr. Paolini worked it. When I let go of my resentment, and finally read Eragon (oh, that was rough, my heart would pound, I wouldn’t sleep, I’d sweat tears), and I read about his story, I learned that Paolini self-published his book, went to bookstores on his own, and pushed his own work. I had to give him all the credit. He got published because he put himself out there. Yes, he got lucky, but in a huge way, he made his own luck. Bottom line, if I wanted what he had, I had to do the things he had done.

My envy even reached to Stephen King. I thought he came out of the womb writing prose that hooked you like a catfish hungry for metal, but then I read his story. He got hundreds of rejections while he learned how to write. Yeah, he started early, and he had a nail on the wall in his room. Every time he got a rejection letter, he put it on the nail. Eventually, he had to replace the nail with a spike. I had a ton of stuff to learn from other writers, but because I was resentful, I didn’t even start to look.

My Natural Genius Wound
Over the years, I had collected books on writing, including The Artist’s Way, but my pride kept me from reading anything, or attending classes, or going to writer’s conferences. I had the idea that if I wasn’t a natural genius, I shouldn’t write. If I can’t be the best of the best right away, I don’t want to play. This is insane. And yet, I spent years here, writing in furtive spurts, but never consistently, and never very well. Which is why very few people could read the first novels I wrote. I loved them, and they were wonderful for me, but when I gave them to other people, well, they never quite found the time to read them. But they were reading other things. Why not mine? Because I had a lot to learn.

My Clint Eastwood Wound
But the biggest way my writing life was unmanageable was that I was determined to do it alone. I’d met writers before, and I didn’t like ‘em. Weird bunch. Smelled like ink and they had dreamy, goofy looks about ‘em.

Here is where I was completely deluded. I could not have gotten published without the community of artists that I’m lucky enough to have in my life. And yes, writers are an odd bunch, but they are also one of the most interesting, driven, baffling groups of people you’d be lucky enough to run into. Because generally, artists have a vision of how life should be, and they follow that vision, and it leads them to a variety of odd places rarely visited. And I get to be lucky enough to talk with them.

So yes, I am damaged goods, but the genius of the 12 steps is that from our wounds and from our foibles come new life and new hope.  We build the foundation for our future lives not on our perfections, but on our imperfections, but heaven knows, I can count on myself to screw things up, not to do things perfectly.

Okay, next week, we wrap up Step One.  I promise.

 

 

Mondays Are Hell: My Critique Group Ate My Homework

Firstly!  Big news!  I’ll be on the radio today at 4 p.m mountain time.  Yes, bookmark radio.  Click here and click some more to listen.  My voice is like fine wine.  It has been known to heal leppers.

Now, on to today’s blog post about demons.

Last Tuesday, demons ate my homework. I gave a submission to my critique group and my critique group handed me back bloodstained, tortured sentences and weary, shell-shocked words. It was tragic.

And what I had submitted was the dark moment, one of the best, dramatic parts of the book, but what I brought didn’t work. Insert sadface emoticon here.

There would have been a time when I would have let that crush me for days. What I had polished and brought wasn’t good enough! The horror, the horror. (This is where I pour water over my bald pate like Kurtz in Apocalypse Now.)

But wait. That didn’t happen. I mean, it did. I did travel to Laos and made myself a god there, but at the same time, I continued writing.

In fact, Wednesday morning I woke up, with ideas brimming, with enthusiasm, because my critique group tore the work down, but they also offered encouragement, hope, and ideas to make it better. Which is why my critique group is the best in the world. I feel so lucky to be in their ranks.

And I don’t think they are going to kick me out, which is also nice. How I swung a critique group with such talented, published writers, I will never, ever know.

The happy, the happy.

My Completely UNAUTHORIZED Interview With Donald Maass


So, I won’t go into the biography of literary agent Donald Maass, but I will say this–the man is a light shining in the darkness of this hard, old world. He loves books, writers, and story. And I have a little heterosexual-mancrush on him. He is open, giving, and kind.
And I interviewed him, kind of.

 

We talked for a minute at the 2012 Pikes Peak Writers Conference and I asked him how I could better handle the ups and downs of the writer’s life.

And he said what many have said. Networking. If we can build a network of friends and comrades-in-arms, we’ll better be able to handle the slings and arrows of outrageous fortune. Because the writer’s life is full of slings and arrows and outrageous fortune.

Then he went on, and he didn’t talk about the emotional pits of despair or the lofty heights of blazing praise, but he went back to the idea of revision. And this is interesting because on the surface, dealing with the highs and lows of writing isn’t about revision.

He said that most manuscripts get stuck at the 90% finished phase and writers give up without doing that last 10% of revision. But if we have friends and critique groups to help us, we can better survive the storm and get the manuscript so that it gleams like Excalibur in British sunshine.
So for Mr. Maass, it goes back to the book, always back to the book, the story, the fire in fiction.

Maybe he meant that managing our emotions is easier if our book is the best we can make it, and yes, it might not get picked up, but at least we know that our novel rocks, and what a feeling that is, to be in love with your book.

I am so glad that I debuted with The Never Prayer. I am so proud of the story, the characters, the themes in that book, that when all else fails, when I tremble on the precipice of absolute despair, I can go back to the book I wrote and be glad.

Thank you, Mr. Maass, for our conversation and allowing me to publish this COMPLETELY UNAUTHORIZED interview. The world is better because of your work. Even with all the rejections. Or maybe because of them.

 

More about Donald Maass here.